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Pixie Says

I HEART M.T

Fake I.D. Mariko Tamaki (Women’s Press)

SKIM: The Diary of Skim Takota(Keep Out!) Mariko & Jillian Tamaki (Kiss Machine)

Confession about a confession: a year and one week ago, I stood on a stage in Williamsburg, Brooklyn and told Mariko Tamaki that I thought she was one of the coolest people I’d ever met, and that I’d been more nervous about her being on the Girls Who Bite Back tour than about anything else because, as far I as was concerned during my neophyte phase in T.O., she was a literary superstar, everywhere at once. Not that I stalked her, exactly, it’s just that after buying the fabulous cover me, with its easily identifiable bright pink spine, at the Women’s Bookstore, I wanted to hear her do her thing. And then four years later, I got to see her doing her thing live and up close. And I still, even more, thought she was on my top ten cool list. Also, she thought it was really cute that I made that confession in public (well, in front of a handful of dazed hipsters). So yeah. This review is not the usual Globe and Mail disdainful poo-pooing of counter-culture, but I don’t want to act like "Tamaki… Who’s she?" Because I do know her. And I am a fan. So this is a fan review, by someone who takes books very seriously.

Mariko Tamaki’s new collection of short stories Fake I.D. is like a packet of Love Hearts, before they were sugary-sweet, when they still had that bite. Each story is a different candy colour with a different bittersweet message, small and perfectly-formed. As I read it over breakfast, occasionally snorting and spluttering into my cereal (this is not a book to read on the subway if you’re embarrassed by laughing out loud), I’d say to myself "Just one story, then I’ll get onto that pesky thesis," and, as each story would end, I’d find myself beginning the next one. Just like eating candy. At the end of the book, there was a certain rushiness in my veins and puckeriness to my mouth that comes from eating a whole packet of sweets in one sitting. Yummy indeed — but not quite filling. As the world’s biggest fan of cover me, I want Ms. Mariko to hurry up and write another novel so that I can linger with her characters awhile. Candy is dandy, but some of the pieces suffer from over-compression, ending before they are fully played out, while others hit all the right beats as comedic performance pieces, but have final paragraphs that get all serious and thematic that seem tacked on. Which isn’t to say that Tamaki is just a stand-up with a publisher; there are pieces in here — particularly "The Tea Party Chronicles" (about fantasy gaming), "To H. With Love," and "Diary of a Broom Girl," whose malicious cackling wit I loved in Girls Who Bite Back — that brim with edgy sensitivity, beautiful similes, and elegant, honest epiphanies.

And SKIM, Tamaki’s first venture into comics (illustrated by her cousin Jillian, whose work also appearing in a recent issue of Bitch. Or Bust. Or possibly Venus. You get the idea — she’s a riot grrrl wonderartist) is for sure all that. It has none of the curiously unfinished feel of Fake ID, despite being all wee and comicy. The art is lyrical and expressive, great at capturing the material details of adolescent life without prettifying them. Skim is like Eloise for Goth grrls, a wannablessedbe who stands out in a school full of white kids obsessed with pop music and teen break-ups. Her sharp observations are balanced by a self-awareness that’s not quite maturity, but more a sense of difference and potential, which Tamaki also captures so well in "Swallow" and "Who Do You Think You Are?" in Fake I.D.. Skim is gonna be someone — she’s just busy working out who, and the reader gets invited in to her private journal to enjoy the ride. I defy anyone who was ever a queer kid not to cry at the lovely last full-page panel.

If you like the sound of these two bright moments in Toronto’s grey lit.scene, then check out Mariko’s incredibly pink website www.marikotamaki.com for details of the upcoming June 10th launch. I can’t make it, but go and have a Goth for me.

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